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 GALERIE ART PREMIER AFRICAIN GALERIE ART PRIMITIF AFRICAIN AFRICAN ART GALLERY

GALERIE ART PREMIER AFRICAIN GALERIE ART PRIMITIF AFRICAIN AFRICAN ART GALLERY

Art Gallery the Eye and the Hand
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Jean Paul Barbier-Mueller is a Swiss collector, born in Geneva in 1930.


Biography

He has been under the influence of a passionnate father : poetry, philosophy, musicor science (he got his PhD in biology at the age of 47).

After law studies in Geneva and London, he registers at the Bar and become manager, at the age of 28, of a financial society. In 1960, he creates his own society, the Private Society of Managment, specialized in the managment of the housing stock and construction of social flats.

Collector as his father-in-law Josef Mueller, he goes in for « non-western » arts. With his wife Monique, he creates in 1977 the Barbier-Mueller museum, which organize more than seventy-five exhibitions, most of them attended with importants catalogues, presenting the differents sections of the familial collection, with the contribution of major european, american and asian museums. He carries out or finances researches in Sumatra, in Ivory Coast and Guinea. He’s one of the best expert of the Batak ethnic group, in the north of Sumatra. In may 1997, the Barbier-Mueller precolombian art museum opens opposite to the Picasso museum, in Barcelona. The town council offers a long-time loan from the Nadal Palace to expose around 400 works of art from Pre-Hispanic America.


Jean Paul Barbier-Mueller is also a recognized specialist of the poetry and the french history of the 16th century. Bibliophile since the age of 13, he has gathered one of the most full library devoted to Ronsard and other authors of the Pléiade. Entitled « Ma Bibliothèque poétique », the catalogue of this collection count 7 volumes already published. Jean Paul Barbier-Mueller has also written many articles for journals such as « Bibliothèque d’humanisme »,

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Sir Henry Morton Stanley , GCB, born John Rowlands (January 28, 1841 – May 10, 1904), was a Britishjournalist and explorer famous for his exploration of Africa and his search for David Livingstone. Stanley is often remembered for the words uttered to Livingstone upon finding him: "Dr. Livingstone, I presume?", although there is some question as to authenticity of this now famous greeting.

Biography

Stanley was born in Denbigh, Wales. At the time, his mother, Elizabeth Parry, was nineteen years old. According to Stanley himself, his father, John Rowlands, was an alcoholic; there is some doubt as to his true parentage. His parents were unmarried, so his birth certificate refers to him as a bastard, and the stigma of illegitimacy weighed heavily upon him all his life. He was raised by his grandfather until the age of five. When his guardian died, Stanley stayed at first with cousins and nieces for a short time, but was eventually sent to St. Asaph Union Workhouse for the poor, where overcrowding and lack of supervision resulted in frequent abuse by the older boys. When he was ten, his mother and two siblings stayed for a short while in this workhouse, without Stanley realizing who they were. He stayed until the age of 15. After completing an elementary education, he was employed as a pupil teacher in a National School. In 1859, at the age of 18, he made his passage to the United States in search of a new life. Upon arriving in New Orleans, he absconded from his boat. According to his own declarations, he became friendly with a wealthy trader named Stanley, by accident: he saw Stanley sitting on a chair outside his store and asked him if he had any job opening for a person such as himself. However, he did so in the British style, "Do you want a boy, sir?" As it happened, the childless man had indeed

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Pietro Paolo Savorgnan di Brazzà, best known as Pierre Paul François Camille Savorgnan de Brazza (January 26,1852 - September 14, 1905), was a Franco-Italian explorer, born in Italy and later naturalizedFrenchman. With the backing of the Société de Géographique de Paris, he opened up for France entry along the right bank of the Congo that eventually led to French colonies in Central Africa. His easy manner and great physical charm, as well as his pacific approach among Africans, were his trademarks. Under French colonial rule, Brazzaville, the capital of the Republic of the Congo was named in his honor.

Early  years

Born in Rome on January 26,1852, Pietro Savorgnan di Brazzà was the seventh son of Count Ascanio Savorgnan di Brazzà, a nobleman of Udine with many French connections and Giacinta Simonetti. Pietro was interested in exploration from an early age and won entry to the French naval school at Brest, graduated as an ensign, and went on the French ship Jeanne d'Arc to Algeria.

Exploration to Africa

 

His next ship was the Venus, which stopped at Gabonregularly, and in 1874, de Brazza made two trips, up the Gabon Riverand Ogoue River. He then proposed to the government that he explore the Ogoueto its source, and with the help of friends in high places, including Jules Ferryand Leon Gambetta, he secured partial funding, the rest

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Julien Michel Leiris (April 20, 1901 in Paris – September 30, 1990 in Saint-Hilaire, Essonne) was a Frenchsurrealistwriter and ethnographer.

Biography

Michel Leiris obtained his baccalauréat in philosophy in 1918 and after a brief attempt at studying chemistry, he developed a strong interest in jazz and poetry. Between 1921 and 1924, Leiris met a number of important figures such as Max Jacob, Georges Henri Rivière, Jean Dubuffet, Robert Despos, Georges Bataille and the artist André Masson, who soon became his mentor. Through Masson, Leiris became a member of the Surrealistmovement, contributed to La Révolution surréaliste, published Simulacre(1925), and Le Point Cardinal (1927), and wrote a surrealist novel Aurora(1927-28; first published in 1946). In 1926, he married Louise Godon, the step-daughter of Picasso's dealer Daniel-Henry Kahnweiler and traveled to Egypt and Greece.

Following a fall out with André Breton in 1929, he joined Bataille’s team as a sub-editor for Documents, to which he also regularly contributed articles such as “Notes on Two Microcosmic Figures of the 14th and 15th Centuries” (1929, issue 1), “In Connection with the ‘Musée des Sorciers" (1929, issue 2), "Civilisation" (1929, issue 4), “The ‘Caput Mortuum’ or the Alchemist’s Wife” (1930, issue 8), and on artists such as Giacometti,Miró, Picasso, and the 16th

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