By continuing your visit to this site , you accept the use of cookies to provide content and services best suited to your interests.
 GALERIE ART PREMIER AFRICAIN GALERIE ART PRIMITIF AFRICAIN AFRICAN ART GALLERY

GALERIE ART PREMIER AFRICAIN GALERIE ART PRIMITIF AFRICAIN AFRICAN ART GALLERY

Art Gallery the Eye and the Hand
Situation : Welcome » Result of the research
Result of the research Result of the research : 'hier'


Image GLI ESPLORATORI ITALIANI IN AFRICA (2 Volumi)
DAINELLI Giotto
GLI ESPLORATORI ITALIANI IN AFRICA (2 Volumi)
 
 
Editore: UNIONE TIPOGRAFICO - EDITRICE TORINESE - 1960
Rilegato, pagg. 785 cm 26 x 16,5 - 198 figure nel testo - Lingua: Italiano
"LA CONQUISTA DELLA TERRA - Esploratori e esplorazioni"
Collezione diretta da Giotto Dainelli - Volume quarto della collezione
DAINELLI Giotto   -   GLI ESPLORATORI ITALIANI IN AFRICA
Biografia dell'autore
 
 
 
 
 
 
Biografia dell'autore
 
 
 
Giotto Dainelli
(Firenze 19.5 1878 – Firenze 16.11.1968)
 
 
Giotto Dainelli, figlio del generale Luigi e di Virginia Mari, nacque a Firenze il 19 maggio 1878. Vantava ascendenze illustri: il padre era imparentato con i carbonari e patrioti bolognesi Zambeccari e Ranuzzi; la madre era figlia dell’avvocato Adriano Mari (1813-1887), politico della destra che rivestì importanti cariche istituzionali. Trascorse la sua infanzia lontano da Firenze, a seguito dei cambiamenti delle sedi di servizio del padre, ed ebbe modo di conoscere l’Europa data l’abitudine della famiglia di approfittare delle vacanze estive per compiere viaggi all’estero.
Nel 1900 si laureò in Scienze naturali all’Istituto di studi superiori di Firenze, dove fu allievo del geologo e paleontologo padovano Carlo De Stefani (1851-1924), all’epoca il più illustre docente della materia (fu direttore dell’Istituto di Geologia di Firenze e accademico dei Lincei); in seguito si perfezionò all’Università di
See the continuation... ]


Image BOLI
COLLEYN Jean-Paul (Auteur),Johann Levy (Auteur), Thierry Ollivier(Photographies), Catherine De Clippel (Photographies), Daniel Cordier (Préface)
 
BOLI: Edition bilingue français-anglais
 
Détails sur le produit:
Relié: 176 pages 
Editeur : Gourcuff Gradenigo; Édition : Bilingual (8 octobre 2009) 
Collection : LIVR D ART LG 
Langue : Français-Anglais 
ISBN-10: 2353400752 - ISBN-13:
See the continuation... ]


Image DIARIO DOGON

Aime Marco

DIARIO DOGON

 

Dettaglio sul prodotto:

Editore: Bollati Boringhieri - Collana: Variantine - Pubblicazione: 03/2000 - Brossura - pagine: 118 - Lingua: Italiano - ISBN: 8833912256 - ISBN-13: 9788833912257

 

Descrizione libro:

Questo diario, nato da molti viaggi in Mali, tenta di analizzare il curioso gioco di specchi tra etnologi, dogon e turisti, ma costituisce anche una riflessione su cos'è oggi il turismo dell'esotico, quali sono i meccanismi culturali e sociali che innesca, quali dialoghi o scontri si aprono tra visitatori e

See the continuation... ]


Full text, digitalised by Lies Strijker and presented by the .Centre Aequatoria
Notes on the digitalisation and presentation


[Cover]

[1: empty]

[2]
IMPRIMI POTEST
Kanzenze, 12-2-1952
P. Simeon, o.m.f.
Sup. Reg.

IMPRIMATUR
Luabo-Kamina, 30-5-1952
+VICTOR PETRUS KEUPPENS
Vic. Ap. de Lulua


[3]

BANTU PHILOSOPHY
by
The Revd. Father PLACIDE TEMPELS

(Translated into English from "La Philosophie Bantoue" the French Version by Dr. A. Rubbens of Fr. Tempels' original work. The Revd. Colin King, M.A. Translator.)

With a Foreword to the English Edition by Dr Margaret Read, C.B.E.Ph. D.,M.A., formerly Professor of Education and Head of the Department Of Education in Tropical Areas, The

See the continuation... ]


AFRICAN ART GALLERY PARIS 41 RUE DE VERNEUIL 75007 PARIS

african art african gallery paris african
african art gallery l'oeil et la main www.african-paris.com art primitif

See the continuation... ]


Image André Gide
André Gide
 
André Gide en 1893
Activité(s) écrivain
Naissance 22 novembre 1869
Paris,  Empire français
Décès 19 février 1951
Paris,  France
Langue d'écriture français
Genre(s) roman, théâtre, essai
Distinctions prix Nobel de littérature (1947)
Œuvres principales
Les Nourritures terrestres, 1897
L'Immoraliste, 1902
La Porte étroite, 1909
Les Caves du Vatican, 1914
Corydon,
See the continuation... ]

‘African Vision: The Walt Disney-Tishman African Art Collection’
 
This female figure, made of ivory and standing 37 inches tall, was made in the early Nineteenth Century by Edo peoples in the Benin kingdom court style, and was probably intended for an altar to a queen mother. It is one of the first two objects purchased by Paul and Ruth Tishman in 1959. "Ivory can be almost universally interpreted as a symbol of importance and wealth,” says exhibition curator Bryna Freyer.
WASHINGTON D.C.:Most Americans know little about the vast and diverse continent of Africa, much less the arts created there. Dark and primitive, the arts of the African peoples reflect the rituals of life, stripped to the most basic interpretive forms both conceptually and artistically.
Celebrating the arts of Africa and the profound role that they have played in molding Twentieth Century Abstraction and Modernist art in the "West" is the Smithsonian's newest exhibition, "African Vision: The Walt Disney-Tishman African Art Collection." It is on view through September 7, 2008, at The Smithsonian Institution's National Museum of African Art (NMAA).
 
"African Vision" showcases 88 outstanding artworks, part of a larger collection donated to the NMAA, that represents the largest gift of sculpture in the museum's history.
 
In 1959, Paul and Ruth Tishman began their collection with the purchase of two pieces of art from the Benin kingdom — an early Nineteenth Century ivory female figure standing 37 inches tall, made in the court style by the Edo peoples, and a 28-inch-tall, Eighteenth Century copper alloy mask that was worn by a divine-healer in masquerade
See the continuation... ]


Image MASTERPIECES


MASTERPIECES of african






MASTERPIECES of african
La galerie d'Art Primitif - L'Oeil et la Main, vous invite à son vernissage de l'exposition MASTERPIECES pendant le Carré Rive Gauche
Le Jeudi 26 Mai 2011 à partir de 18h30
Du jeudi 26 Mai au Jeudi 29 Septembre
See the continuation... ]

See the continuation... ]

 
Paris
Galerie L'oeil et La Main Paris 7e 
41 rue de Verneuil 75007 Paris
tel 0142615410
contact@agalom.com
Bétonsalon Paris 13e
Centre d'art et de recherche
R-d-c de la Halle aux Farines 
9 esplanade Pierre Vidal-Naquet 75013 Paris
M° ou RER Bibliothèque François Mitterrand 
contact : info@betonsalon.net / +33.(0)1.45.84.17.56
Cac Brétigny Brétigny [91]
Centre d’art contemporain de Brétigny
Espace Jules Verne, Rue Henri Douard
91220 Brétigny s/Orge
tel (33) 01 60 85 20 76
fax (33) 01 60 85 20 90
info@cacbretigny.com
Centre Culturel Suisse Paris 3e
32 et 38, rue des Francs-Bourgeois
75003 Paris
Tel +33 (0) 1 42 71 44 50
Centre Georges Pompidou Paris 4e
Place Georges Pompidou
75004 Paris
+33 (0)1 44 78 12 33
CNEAI Chatou [78]
Centre national de l'estampe et de l'art imprimé
Maison Levanneur, île des impressionnistes
78400 Chatou
tél (0033)1 39 52 45 35
fax (0033)1 39 52 43 78
cneai@cneai.com
CNEAI Paris
Centre National de l'Edition et de l'Art Imprimé
20 rue Louise Weiss 75013 Paris, France
ENTREE GRATUITE
(+33)1 45 83 88 96
http://www.cneai.com
Cosmic Galerie Paris 19e
Claudia CARGNEL et Frédéric BUGADA
7-9, rue de l'Équerre 75019 Paris
Tél : +33 1 42 71 72
See the continuation... ]


Image АФРИКИ ИСКУССТВО
АФРИКИ ИСКУССТВО

АФРИКИ ИСКУССТВО - (см. Африка) - искусство этого континента включает разные региональные школы, охватывает несколько исторических эпох и представляет собой, тем не менее, единый исторический тип, характеризуемый целостностью стилистических признаков, мало
See the continuation... ]

Walker Evans

Walker Evans
Il est né le 3 novembre 1903, à Saint-Louis, Missouri. Il étudie au Williams College en 1922-1923 et à la Sorbonne en 1926. Evans débute la photographie en 1930. Il obtient une bourse de la Fondation John-Simon-Guggenheim en 1940, 1941 et 1959. Il entre au magazine Time en 1945 et à Fortune en 1965. Cette même année, il devient professeur de photographie à l'école d'art de l'Université Yale. Il est mort le 10 avril 1975, à New Haven, Connecticut.
On connaît notamment son travail sur la Grande dépression, participant au programme de la Farm Security Administration. Les images de métayers dans l'Alabama, au même titre que celles de Dorothea Lange, comptent parmi les icônes du monde moderne.
On remarque dans son travail les regards des sujets fixant l'objectif de Walker Evans : ici pas de doute le sujet se sait photographié, pour autant il ne se compose pas un visage de circonstance orné d'un sourire obligatoire. Ici la photographie ne se contente pas de montrer, elle interroge le spectateur, l'américain des années 1930 : si le sujet se laisse photographier dans cette posture, c'est que son regard a quelque chose à nous dire. Ce n'est peut-être plus nous qui le regardons mais lui qui nous accuse.
Cette franchise du photographe préserve une dignité humaine mise à mal par la misère qui se laisse voir dans les vêtements en loques.
Cet aspect de ses photos est
See the continuation... ]

a
by Peter Walsh
 
"MEMORY: Luba Art and the Making of History," one of the largest and most important exhibitions of African art ever to appear in the Boston area, will be on view at the Davis Museum and Cultural Center from February 5 through June 7, 1998. Organized by The Museum for African Art in New York City, this critically acclaimed exhibition of exceptionally beautiful artworks explores for the first time in an American museum exhibition the intricate and fascinating culture of the Luba of the Democratic Republic of the Congo (formerly Zaire). More than 80 important and beautiful objects are included in the show.
 
Since it opened in New York City in February 1996, MEMORY has received enormous popular and critical praise. The New York Times described it as "everything an exhibition ought to be. Visually riveting and built on a theme as philosophically complex as it is poetic, it has the pace and pull of an unfolding epic... MEMORY... brings to vivid life an art that is both a wonder of formal invention... and a sovereign vehicle for profound ideas."
 
MEMORY will include standing figures, staffs of office, ceremonial weapons, masks, divining tools and amulets as well as fine examples of lukasas, or Luba "memory boards," all of which the Luba used as elaborate visual symbols to record their cultural memories, histories, traditions, and royal lineages. The show and its accompanying catalogue are the culmination of a decade of intense and path-breaking research and study
See the continuation... ]

Art primitif : prix du désir, prix de l’objet
AuteurRolande Bonnain-Dulon du même auteur
CRH/EHESS
24, bd de Magenta
75010 ParisRolande.Bonnain-Dulon@ehess.fr
« L’art primitif a influencé tout l’art contemporain.
C’est normal qu’il ait un prix. »(Jeune marchand parisien)
 
« Noirs désirs » [Télérama, 26/06/2003], « Bas les masques » [Libération, 1/07/2001], « La ruée vers l’or noir » [Le Figaro, 2/07/2001], « Les sortilèges de l’art africain » [Le Figaro, dossier Patrimoine, 26/10/2001], tous ces titres (et d’autres non moins accrocheurs) ont annoncé et suivi la dispersion aux enchères publiques en juillet 2001, soit un an après sa mort, de la collection d’art primitif d’Hubert Goldet, grand amateur et cofondateur de la revue ArtPress. La vente, qui avait duré deux jours et attiré amateurs, marchands et curieux d’Europe et d’Amérique, avait joui d’un énorme succès : 644 lots proposés et vendus pour la somme de 88,4 millions de francs avec les frais soit 13,5 millions d’euros. Cet événement témoigne, s’il en est encore besoin, que ce domaine de l’art, l’un des derniers découverts par l’Occident, n’est plus confidentiel et déborde le cadre du petit monde des initiés. Depuis son ouverture en avril 2000, le pavillon des
See the continuation... ]

Kongo Nail Fetishes from the Chiloango River Area
By Ezio Bassani
 
Originally published in African Arts - April 1977, Volume X, Number 3
In the nineteenth century, ethnologists who collected and catalogued objects of art from Africa were not concerned with 
discovering the names of the artists or even their ethnic identities; usually, broad indications of geographic origins, such as 
"the Lower Congo," "the region of the White Nile," or the "River Uelle" were deemed sufficient identification. In addition, 
because these objects were regarded merely as documents of a mode of life inferior to that of Western societies, no effort 
was made to categorize them stylistically. Although during the first ten years of this century, French and German artists 
revealed the artistic independence and importance of African sculpture, scholars persisted in considering the works of 
African carvers as popular,
See the continuation... ]

( auction african art, african art sell, art african sell, sell african mask, art primitif sell, art tribal sell, art tribal auction, sell primitive art mask, Auction )
From Wikipedia, the free encyclopedia
 
"Auctioneer" redirects here. For the DC Comics supervillain, see Auctioneer (comics).
 
An auctioneer and her assistants scan the crowd for bidders.An auction is a process of buying and selling goods or services by offering them up for bid, taking bids, and then selling the item to the highest bidder. In economic theory, an auction may refer to any mechanism or set of trading rules for exchange.

There are several variations on the basic auction form, including time limits, minimum or maximum limits on bid prices, and special rules for determining the winning bidder(s) and sale price(s). Participants in an auction may or may not know the identities or actions of other participants. Depending on the auction, bidders may participate in person or remotely through a variety of means, including telephone and the internet. The seller usually pays a commission to the auctioneer or auction company based on a percentage of the final sale price.

 History of the auction
 
Artemis, Ancient Greek marble sculpture. In 2007, a Roman-era bronze sculpture of "Artemis and the Stag" was sold at Sotheby's in New York for US$28.6 million, by far exceeding its estimates and setting the new record as the most expensive sculpture as well as work from antiquity ever sold at auction.
An 18th century Chinese meiping porcelain vase. Porcelain has long been a staple at art sales. In 2005, a 14th century Chinese porcelain piece was

See the continuation... ]


Image Socle Inagaki

Socle Inagaki



kichizô

See the continuation... ]

 

Le socle et l’objet
 
Anne Villard *
 
Tout comme l’éclairage ou
la couleur, le socle est un des
éléments qui participent à la
construction de sens émanant
de l’ensemble d’une expo-
sition. Et à ce titre il concourt
à la compréhension de l’objet
qu’il présente. L’auteur
s’attache à mettre au jour les
types de liens existants entre
le socle et l’objet et analyse
à travers quelques exemples
la façon dont, dans le
contexte de l’exposition,
les messages sont véhiculés
par le socle.
 
* Anne Villard est muséologue
27 rue Bretonneau
37000 Tours
téléphone + 33 2 47 31 90 52 et
+ 33 6 19 55 73 18
annevillard@voila.fr
 
S’interroger sur la nature des liens qui
s’établissent entre le socle et l’objet c’est
parler de la relation qui s’instaure entre
ces deux objets c’est aussi mettre en évi-
dence la ou les fonctions du socle (ou du
support) dans l’exposition de l’objet.
En muséologie, la nature polysémique et
polyfonctionnelle de l’objet est aujour-
d’hui une évidence, et nous ne saurions
ignorer l’importance de son contexte de
présentation (1). L’objet s’insère dans
See the continuation... ]


Image DOGON

Dogon

Musée du Quai Branly
05th April 2011 to July 4, 2011

The exhibition features 330 stunning art pieces gathered for the first time and from collections around the world. It provides a chronological overview of the art of the Dogon eighth century to the present day, reflecting its rich diversity of styles, from first contact with Tellem to the development of European taste for the masks and sculpture in the twentieth century. The exhibition shows the impact of migration and subsequent contact with other Dogon peoples of the region's culture and art Dogon. It places a unique technical expertise conducted on the patina of statues and disclaims typologies of everyday objects and daily virtuosic and varied techniques, often presented in terms of major pieces of statuary.

primitive art
Sixteenth century seventeenth century eighteenth century nineteenth century twentieth century
Commissioners
Helene

See the continuation... ]


Image yaka

Arts of Africa first Black Arts Spring 1981 No. 77
When we examine the significance of an African mask, we do not seek to know what the "message" it provides, by virtue of some essential notion of disguise and by his presence, but rather what kind of continuum it belongs. The masks are at the confluence of pictorial traditions, oral and functional none appears (under secular unable to recognize the subjects and even less discernible. The understanding of pictorial code used requires not only a review but a review of developed components as needed through the original context. Let us offer an example of the image with respect to the buffalo in the region of Zaire Kwango-Kwilu South West (1).
Synceros caffer, the largest of African cattle is a massive animal, black, cropped hair, measuring 1.50 m at the shoulder and weighing nearly a ton (900 kg.) (Fig. 1). Its heavy horns have a spacing of one meter, are curved downward and inward and form large lumps to their bases. This animal, originally occupied the central, eastern and southern Africa, frequenting the open plains, open woods and river beds and marshes bordered by reeds. Commonly preview herds of a dozen to a hundred heads, he used to graze and graze the early morning and again at dusk, seeking shade during the hottest hours but sometimes moving at night . Females do not carry a calf for about eleven months.

Considered peaceful, was injured when he can become, for hunters, the most dangerous animal of any big game on the continent (Fig. 2). He is known for his

See the continuation... ]

Pages 1 2 3 4 5 6
Search
Translations
Menu
Newsletter
Links
Publicités