By continuing your visit to this site , you accept the use of cookies to provide content and services best suited to your interests.
 GALERIE ART PREMIER AFRICAIN GALERIE ART PRIMITIF AFRICAIN AFRICAN ART GALLERY

GALERIE ART PREMIER AFRICAIN GALERIE ART PRIMITIF AFRICAIN AFRICAN ART GALLERY

Art Gallery the Eye and the Hand
Situation : Welcome » Result of the research
Result of the research Result of the research : 'sesso'


Image SESSO E REPRESSIONE SESSUALE TRA I SELVAGGI
MALINOWSKI Bronislaw
 
SESSO E REPRESSIONE SESSUALE TRA I SELVAGGI
 
 
Brossura - pagg. 286, cm 19,5 x 13 - 10 illustrazioni in b/n - Lingua: Italiana - Universale scientifica Boringhieri, 1969 - Titolo originale: Sex and Repression in Savage Society - 
Kegan Paul & Company - Londra - 1927 - Traduzione e Introduzione di Tullio Tentori
 
Indice del volume:
Parte prima: La formazione di un complesso; Parte seconda: Lo specchio della tradizione; Parte terza: Psicoanalisi e antropologia; Parte quarta: Istinto e
See the continuation... ]


Image QUANDO DIO ABITAVA A IFE
ELUYEMI Omotoso, EKPO Violata, BASSANI Ezio
 
QUANDO DIO ABITAVA A IFE - Arte dell'Antica Africa
 
 
Dettagli sul prodotto:
Editore: ArtificioSkira - Gruppo Editoriale L'Espresso - Pubblicazione 02/2005 in occasione della mostra a Firenze, Palazzo Strozzi, 5 marzo - 3 luglio 2005 - 192 pagine Lingua: Italiano - ISBN: 8876243313 - ISBN-13: 9788876243318
ELUYEMI Omotoso, EKPO Violata, BASSANI Ezio:  QUANDO DIO ABITAVA A IFE - Arte dell'Antica Africa
Descrizione mostra di Firenze - Palazzo Strozzi
 
 
 
 
 
 
 
Descrizione mostra di Firenze - Palazzo Strozzi
 
 
 
La mostra presenta 50 capolavori di arte africana provenienti dai più antichi regni dell'Africa, conservati senza esporli, nei musei Nigeriani.
 
Nell'esposizione si propone un'Africa "classica", alternativa all'Africa "primitiva" a cui si fece riferimento nel 900 nell'arte e nella cultura.
 
Nel 1958 William Fagg, lo scopritore e massimo studioso dei bronzi dell'antica Ife scriveva mettendo direttamente a confronto l'arte classica greca con quella africana: 
"I dubbi che sorgono di tanto in tanto sull'origine autoctona dello stile di Ife riposano sull'opinione che un'approssimazione tanto forte alla misura classica greca non avrebbe potuto nascere nell'Africa occidentale tranne che come risultato di una concezione dell'arte sviluppatasi per secoli e attraverso stadi paragonabili a quella greca. (....) Nei fatti il naturalismo ad Atene sorse per
See the continuation... ]


Full text, digitalised by Lies Strijker and presented by the .Centre Aequatoria
Notes on the digitalisation and presentation


[Cover]

[1: empty]

[2]
IMPRIMI POTEST
Kanzenze, 12-2-1952
P. Simeon, o.m.f.
Sup. Reg.

IMPRIMATUR
Luabo-Kamina, 30-5-1952
+VICTOR PETRUS KEUPPENS
Vic. Ap. de Lulua


[3]

BANTU PHILOSOPHY
by
The Revd. Father PLACIDE TEMPELS

(Translated into English from "La Philosophie Bantoue" the French Version by Dr. A. Rubbens of Fr. Tempels' original work. The Revd. Colin King, M.A. Translator.)

With a Foreword to the English Edition by Dr Margaret Read, C.B.E.Ph. D.,M.A., formerly Professor of Education and Head of the Department Of Education in Tropical Areas, The

See the continuation... ]


Image African Art Exhibition of 1923

This is a copy of the catalogue of the exhibition of 1923 in Brooklyn Museum, In 1903 Stewart Culin became the founding curator of the department of ethnology at the museum of the Brooklyn institute of arts and sciences, now the Brooklyn museum Culin a self taught ethnologist built the foundation of four curatorial collections for the museum, acquiring objects representing African Asian native American and estaern European culture

 

 

 

Culin was among the first curator to recognize museum installation as an art form, he was also among the first to display ethnological as art objects, not as ethnographic specimens. This approach is evidenced in his exhibition “primitive negro art”

 

 

 

The exhibition opened in april 1923 and displayed African objects he had acquired in Europe from dealers. Along with his colleagues Culin set the parameters for cultural representation in museum through his collection decisions and innovative installations.

 

 

See the continuation... ]


Image 1923 - Brooklyn museum

This is a copy of the catalogue of the exhibition of 1923 in Brooklyn Museum, In 1903 Stewart Culin became the founding curator of the department of ethnology at the museum of the Brooklyn institute of arts and sciences, now the Brooklyn museum Culin a self taught ethnologist built the foundation of four curatorial collections for the museum, acquiring objects representing African Asian native American and estaern European culture

 

Culin was among the first curator to recognize museum installation as an art form, he was also among the first to display ethnological as art objects, not as ethnographic specimens. This approach is evidenced in his exhibition “primitive negro art”

 

The exhibition opened in april 1923 and displayed African objects he had acquired in Europe from dealers. Along with his colleagues Culin set the parameters for cultural representation in museum through his collection decisions and innovative installations.

 

See the continuation... ]


The Museum Dapper is a private Parisian museum created in 1986 which defines itself as a «space of arts and of cultures for Africa, the Caribbean and their diasporas».

His name pays tribute to a Dutch humanist of the XVIIth century, Olfert Dapper.
 
History

Olfert Dapper foundation is born in Amsterdam in 1983, in initiative of polytechnicien Michel Leveau, industrialist, to recommend Africain governments [2] and soon possessor of «one of the most abundant collections of African art in Europe».

Asserting his will to help in knowledge and in preservation of the heritages of sub-Saharan Africa, foundation allocates grants of studies and of research in the domains of history and of ethnology, as well as help to publications. A non-profitmaking organisation is created in 1984 by the president and his wife. Christiane Falgayrettes-Leveau, native to Guyana and alumna of Maryse Cop, is then journalist specialised in the literature of the black world.

In May, 1986 she takes the direction of the museum which becomes established first in a private residence of the avenue Victor-Hugo, constructs by Charles Plumet in 1901, a modest space (500 m ²) which they achieve by a small court planted of bamboos and brackens.

Three
See the continuation... ]

Search
Translations
Menu
Newsletter
Links
Publicités