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 GALERIE ART PREMIER AFRICAIN GALERIE ART PRIMITIF AFRICAIN AFRICAN ART GALLERY

GALERIE ART PREMIER AFRICAIN GALERIE ART PRIMITIF AFRICAIN AFRICAN ART GALLERY

African Paris Gallery L'Oeil et la Main. Art premier primitif africain
Résultat de la recherche Résultat de la recherche : 'life'

André Lhote
 
 
 
L'Escale, 1913, Musée d’Art Moderne, Paris.
André Lhote (5 July 1885 – 25 January 1962) was a French sculptor and painter of figure subjects, portraits, landscapes and still life. He was also very active and influential as a teacher and writer on art.
 
 
Lhote was born in Bordeaux and learnt wood carving and sculpture from the age of 12, when his father apprenticed him to a local furniture maker to be trained as a sculptor in wood. He enrolled at the École des Beaux-Arts in Bordeaux in 1898 and studied decorative sculpture until 1904. Whilst there, he began to paint in his spare time and he left home in 1905, moving into his own studio to devote himself to painting. He was influenced by Gauguin and Cézanne and held his first one-man exhibition at the Galerie Druet in 1910, four years after he had moved to Paris.
After initially working in a Fauvist style, Lhote shifted towards Cubism and joined the Section d'Or group in 1912, exhibiting at the Salon de la Section d'Or. He was alongside some of the fathers of modern art, including Gleizes, Villon, Duchamp, Metzinger, Picabia and La Fresnaye.
The outbreak of the First World War interrupted his work and, after discharge from the army in 1917, he became one of the group of Cubists supported by Léonce Rosenberg. In 1918, he co-founded Nouvelle Revue Française, the art journal to which he contributed articles on art theory until 1940. Lhote taught at the Académie Notre-Dame des Champs from 1918 to 1920 and later taught at other Paris art schools—including his own school, which he founded in Montparnasse in
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The Authenticity of African Sculptures

by Henri Kamer

The issue of authenticity of African art has been central to collectors for decades.  Henri Kamer, who was president of the International Arts Experts Association at the time, published an outstanding account of the state of the matter in Artes d'Afrique Noire, No. 12 (1974).  The text  that follows is extracted from an English translation of that article, and has been edited further.  The original includes a number of illustrations.  They are not included here because I believe the text suffices without them. 

The original version, including the illustrations, in French and with the English translation, is 

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Oba du Benin
 
L'Oba du Benin est le dirigeant de l'ancien royaume du Benin. Il n’a plus de réel pouvoir depuis l'annexion du royaume par les Britanniques en 1897. Il garde cependant un rôle consultatif au sein du gouvernement. Il garde aussi une forte influence sur la population Edo pour laquelle il a une nature semi-divine. Son palais se trouve dans la ville actuelle de Benin City (État d'Edo, Nigeria).
 
Le premier Oba du Benin est Eweka, le fils d'Oranmiyan, un prince venu d'Ife qui détruisit la tyrannique dynastie des Ogisos qui régnait depuis 35 générations sur le peuple Edo, et d'Ekinwide, une princesse Edo. Dans un premier temps le pouvoir restait au concile des chefs, le Uzama, avec l'Oba à sa tête. Sous le règne d'Oba Ewedo, qui transfère la capitale à Ubini, le pouvoir commence à passer plus fermement entre les mains de l'Oba. À partir d'Oba Ewuare, son pouvoir devient absolu et le titre devient héréditaire.
L'Oba jouissait autrefois d'un très grand pouvoir et son titre revêtait un caractère sacré.
 
 
L'Oba du Benin au xvie siècle, gravure édité en 1815-1827
Au xvie siècle, apparaissent ce que l'on appelle « les rois guerriers ». Le royaume a été significativement agrandi durant le xvie siècle. D'ailleurs, cette importance soudaine de la guerre se traduisit dans l'art par une représentation massive de chefs de guerre, les nombreuses têtes de bronze faisant office de trophées (voir ci-dessous). Les représentations figuratives associées à des éléments symboliques sont mises
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African Art on the Internet
 
 
 
15th Triennial Symposium on African Art, Arts Council of the African Studies Association, 2011, Wednesday, March 23 - Saturday, March 26, 2011, UCLA, Los Angeles, California
http://www.acasaonline.org/conf_next.htm
Addis Art - Ethiopian Art and Artists Page
Contemporary Ethiopian art and artists - paintings, sculptures and digital art work by students and professionals from Addis Ababa, Ethiopia. University instructor, Getahun Assefa's paintings, drawings, sculpture, digital art. Also work by his brother, Tesfaye Assefa. Based in Addis Ababa, Ethiopia. [KF] http://www.addisart.com/
Addis Art - Nouveau Art from Ethiopia
Artists include Shiferaw Girma and Lulseged Retta. Photographs of each artist's work, a biography, and video. Founded by Mesai Haileleul. [KF] http://www.addis-art.com/
Adire African Textiles - Duncan Clarke
History, background, and photographs of adire, adinkra, kente, bogolan, Yoruba aso-oke, akwete, ewe, kuba, and nupe textiles. The symbolism of images is often provided. One can purchase textiles as well. Clarke's Ph.D. dissertation (School of Oriental and African Studies) is on Yoruba men's weaving. See also the Adire African Textiles blog. Based in London. http://www.adireafricantextiles.com/
Afewerk Tekle
"Ethiopia’s leading artist." Biography, his paintings, sculptures, mosaics, murals, art in the artist's home. Afewerk created the stained-glass windows at the entrance of Africa Hall, headquarters of the United Nations Economic Commission for Africa. "In 1964, he became the first winner of the Haile Selassie I prize for Fine Arts." "In 2000, he was one of the few chosen World Laureates by the council of the ABI on the occasion of the 27th
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Image The Arts of Africa at the Dallas Museum of Art
WALKER  Roslyn Adele
The Arts of Africa at the Dallas Museum of Art   (ISBN-10: 0300138954-ISBN-13: 978-0300138955)
 
Détails sur le produit: Relié: 304 pages - 305 x 229 mm - Editeur: Yale University Press (décembre 2009) - Collection: Dallas Museum of Art Publications - Langue: Anglais
 
Descrizione libro: 
This beautifully illustrated book showcases 110 objects from the Dallas Museum of Art's world-renowned African collection. In contrast to Western 'art for art's sake', tradition-based African art served as an agent of religion, social stability, or social control. Chosen both for their visual appeal and their compelling histories and cultural significance, the works of art are presented under the themes of leadership and status; the cycle of life; decorative arts; and, influences (imported and exported). Also included in this book are many fascinating photographs that show the context in which these objects were originally
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Image African Art in Transit
STEINER B. Christopher
 
African Art in Transit
 
Détails sur le produit:
Broché: 240 pages - Editeur: Cambridge University Press (27 janvier 1994) 
Langue: Anglais - ISBN-10: 0521457521 - ISBN-13: 978-0521457521
STEINER B. Christopher  -  African Art in Transit
Descriptions du produit
 
 
 
 
 
 
 
Descriptions du produit:
 
 
From Publishers Weekly:
In this specialized but illuminating work, Harvard-trained anthropologist Steiner analyzes the assumptions behind the work of native African art traders in Cote d'Ivoire, who serve as the link between African artists and Western collectors. He describes the trading process as not only a complex economic system but one of shifting cross-cultural exchange in which the image of Africa is continually redefined. Steiner classifies the range of sources and art objects available in the trading city of Abidjan, then describes how traders work. He analyzes different forms of bargaining (from careful negotiation with Western dealers to staged performance for tourists). More intriguingly, he argues that Western scholarship has influenced classification of art objects by ethnicity rather than by region, and observes how Africans seek authenticity in things Western, while visitors want symbols of a "primitive" lifestyle--as when he witnesses the barter of a mask for a Seiko watch. In the West, he notes, the practical value of African objects like baskets is ignored, while an obsession with the growing value of African art tends to negate appreciation of its beauty. Photos not seen by PW. 
Copyright 1993 Reed
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Image Art and Power in the Central African Savanna
PETRIDIS Constantine
Art and Power in the Central African Savanna: Luba - Songye - Chokwe - Luluwa
 
Détails sur le produit: Relié: 160 pages - Editeur: MercatorFonds (29 septembre 2008) 
Langue: Anglais - ISBN-10: 9061538300 - ISBN-13: 978-9061538301
 
Note Libraio 
Hardback with jacket, 120 illustrations, 100 in colour. Revealing the powers immanent in works that the West long regarded only as exotic or abstract, Constantine Petridis looks beneath the surface of the arts of the Luba, Songye, Chokwe and Luluwa peoples to find, literally embedded in sculpture, the forces that enable the spirit world to intervene in daily life. Ritual use of these objects is expected to ensure a healthy birth, successful hunt, or triumph over an enemy. Analysis of the scholarly record illuminates the changing visions of leadership and prestige that fostered the development of the majestic, elaborate figure styles long prized in the
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Image Black Africa: Masks, sculpture, jewelry
MEYER Laure
Black Africa: Masks, sculpture, jewelry
Détails sur le produit: Broché: 224 pages - Editeur: Editions Pierre Terrail (1992) - Langue: Anglais 
ISBN-10: 287939032X - ISBN-13: 978-2879390321
Descriptions du produit:The Northern Hemisphere has long looked at the art of the Southern Hemisphere and equatorial regions as a collection of curios or travel trophies illustrating the essentially barbarous nature of its creators. Slowly such views are changing as more effort is put to understanding the individual works of art and their context in the societies that produced them. Art historian Meyer has attempted to integrate over 200 color photos together with a general text giving an overview of the role of the arts in various African cultures. Although her choppy text (translated from the French) will provide a basis for interested readers to start research, the bibliography is dated and leads mostly to French sources. Rather than present an overview, Newton, the former director of New York's Museum of Primitive Art, has produced a catalog of suberb photographs with scholarly explanatory captions. The objects, mostly of wood, are drawn from Geneva's Barbier-Mueller Museum, considered one of the best collections in the world. Photographed with great depth of field and subtle lighting designed to accentuate texture, the sculptures are brought to life by a fine-grain printing process. Meyer uses some photos that also appear in Newton's book, but the two works complement each other rather than overlap. The Newton book is the better choice for general collections, but the differences in explaining societal context and the different scope of coverage warrant placement of both books in comprehensive collections. David McClelland, Temple Univ. Lib., Philadelphia Copyright 1992 Reed Business Information, Inc. --Ce texte fait référence à une
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Image Art and craft in Africa: Everyday life, ritual, court art
MEYER Laure
Art and craft in Africa: Everyday life, ritual, court art
Détails sur le produit:
Broché: 207 pages - Editeur: Terrail, first English edition, 1995. - Langue: Anglais 
ISBN-10: 2879390982 - ISBN-13: 978-2879390987
Descriptions du produit:
Most museum exhibitions and books on African art focus on masks and figurative sculptures, largely ignoring many types of objects common in African cultures that "demonstrate an aesthetic sensibility all the more remarkable for serving the humblest of purposes." In this volume, Meyer offers a splendidly illustrated survey of everyday, primarily utilitarian objects furnishings, culinary utensils, textiles, jewelry, weapons, musical instruments, games, pipes, regalia, that reveal undeniable beauty of design, ornamentation, or display. Less detailed and scholarly than Roy Sieber's catalog African Furniture and Household Objects (Indiana Univ. Pr., 1980), Meyer's work nevertheless offers concise introductions to scores of categories of objects that are both essential to, and revealing of, the nature of African life. Highly recommended for public library collections of African studies or art. Dr. Eugene C. Burt, Art Inst. of Seattle
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Image Mbuti Design: Paintings by Pygmy Women of the Ituri Forest
MEURANT Georges, THOMPSON Robert Farris
Mbuti Design: Paintings by Pygmy Women of the Ituri Forest
 
Détails sur le produit:
Relié: 224 pages - Editeur: Thames & Hudson Inc - 1996 - Langue: Anglais 
ISBN-10: 0500974306 - ISBN-13: 978-0500974308
Descriptions du produit:
Thames & Hudson Inc, 1996. Hardcover. 300 x 245 mm. Brand New Book with Free Worldwide Delivery. The Mbuti people, who live in the Ituri rainforest of northeastern Zaire, are one of the few remaining hunter-gatherer cultures in the world. Since 3500 BC they have been famed for their rich arts of music and dancing, but until recently the barkcloth drawings and paintings originally made by the women as loincloths for ceremonies and dances have been virtually unknown in the west. The qualities of these drawings and their reflection of the Mbuti people's way of life, are explored and illustrated in this volume. The drawings are closely analyzed, examined both thematically and aesthetically, and the wider influence of African forager art forms on contemporary world art is
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Image Africa Art and Culture
KOLOSS Hans-Joachim
 
Africa Art and Culture: Masterpieces of African Art - Ethnological Museum, Berlin
 
 
Détails sur le produit:
 
Relié: 240 pages - Editeur: Prestel; Édition: illustrated edition (14 septembre 2005) 
Collection: African, Asian & Oceanic Art - Langue: Anglais 
ISBN-10: 3791327720 - ISBN-13: 978-3791327723
KOLOSS Hans-Joachim - Africa Art and Culture: Masterpieces of African Art: Ethnological Museum, Berlin
Descrizione del prodotto  -  Book Description   -   Publisher comments
 
 
 
 
 
Descriptions du produit:
 
 
 
Book Description
 
One of the leading collections of African art in the world, the African collection at Berlin’s Ethnological Museum contains important masterpieces from many different regions of the continent. 
This stunning book includes more than two hundred color and black-and-white reproductions of masks, ceremonial figures, musical instruments, and objects of everyday life from throughout Africa. Among the jewels in the museum are the Ife Collection from Nigeria; rare Benin bronzes; Afro-Portuguese ivories; magical figures from the Lower Congo and a host of East African sculpture and masks that have gained increasing attention in recent years. Essays by leading ethnologists supply important cultural and historical information on each region, as well as fascinating insights into the ways European and African art have traded influences over the
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Image Chokwe: Art and Initiation Among Chokwe and Related Peoples
JORDAN Manuel
Chokwe: Art and Initiation Among Chokwe and Related Peoples
 
Détails sur le produit: Broché: 191 pages Editeur: Prestel; Édition: illustrated edition (1 November 1998) Langue: Anglais - ISBN-10: 3791319973 - ISBN-13: 978-3791319971
 
Descrizione libro: Magnificently loaded with elegant plates of ceremonial and tribal objects from the Chokwe tribe and others in Angola, this exhibition catalog accompanies a show originating at the Birmingham Museum of Art in Alabama; editor Jordàn, who spent more than two years with the Chokwe and related tribes, is the museum's curator. The objects are mostly carved wood, but their polished, stylized vision of people and nature and the variety and especially the depth of feeling in masks raise them far above craft. The pieces are shown alone, as in a museum exhibit, with art stressed more than anthropology. To remedy this, seven scholarly articles by authorities on the Chokwe appear throughout, along with photos of native life. While this puts into context objects like whistles, thrones, and the intriguing divination baskets full of tiny magical charms, it has a somewhat choppy effect. One of a series of books on African art by Prestel (e.g., African Art from the Han Corey Collection, LJ 6/15/98), this covers a seldom-visited area rich in heritage. For larger art-oriented and college libraries.AGay W. Neale, Southside Virginia Community Coll. Lib.,
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Image CAMEROON: Art and Kings
HOMBERGER Lorenz, Geary M. Christraud, Koloss Joachim
CAMEROON: Art and Kings
Détails sur le produit: - Broché: 255 pages - Editeur: Museum Rietberg, Switzerland (15 mars 2008) Langue: Anglais - ISBN-10: 3907077369 - ISBN-13: 978-3907077368
Descrizione libro: The ancient kingdoms of the Cameroon Grassfields are famous for their splendid artworks - thrones ornamented with precious European beads, wooden figures sculptured by unknown masters, enormous drums, finely carved jewelry made from ivory and brass, as well as fabulous masks. This book presents 150 impressive masterpieces from the courts of the Grassfield kingdoms. Historical photographs illustrate the magnificent life at the courts so enthusiastically described by the first European visitors in the late 19th century. Additional field photographs taken in recent years show that the traditions in the Grassfields are still alive and cared for today. Two leading scholars in the field of Cameroonian art give an important introduction to the fascinating and complex world of the Grassfield kingdoms: their rituals, secret societies, and, above all, the meaning of art in this context. Christraud M. Geary explores the dynamic of palace art in the kingdom of Bamum, whch repeatedly adapted to ever-changing conditions and maintained a continuous dialogue with the outside world. Hans-Joachim Koloss gives a detailed overview of court art in the North West Province, focusing in particular on the numerous masks which are owned by the palaces as well as the secret
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Image Where Gods and Mortals Meet: Continuity and Renewal in Urhobo Art
FOSS Perkins
Where Gods and Mortals Meet: Continuity and Renewal in Urhobo Art
Détails sur le produit: - Relié: 152 pages - Editeur: Snoeck-Ducaji & Zoon; Édition: illustrated edition (10 mai 2004) - Langue: Anglais - ISBN-10: 9053495061 - ISBN-13: 978-9053495063
Book Description: The Urhobo peoples occupy the western fringe of the Niger River delta in southern Nigeria, an area rich with oil reserves. Since the 1970s, the petroleum industry has brought worldwide wealth and attention to Nigeria, but tragically has also detracted from broad-based economic progress as flow stations, flare-offs, drilling platforms and pipelines have proliferated. As rural economies suffered an inevitable decline, the custom of maintaining traditional Urhobo art has experienced a parallel atrophy. The resultant decline in Urhobo culture has prompted a response among many Urhobo who want to celebrate and preserve their traditions for future generations. The Museum for African Art in New York makes a major contribution to this effort through the presentation of Where Gods and Mortals meet, the first exhibition to showcase Urhobo arts. The exhibition introduces never-before-seen Urhobo art and footage of cultural performances, from yesterday and today. This accompanying catalogue includes approximately 80 works of art: traditional art from the historical period 1850 to 1975, including monumental wood figures, metal and clay sculpture, and masks and costumes with accompanying poetry and song; a small selection of contemporary work by Bruce Onobrakpeya, an Urhobo by birth and one of Africa's foremost artists; plus photos and video footage of extraordinary multimedia masquerades. Edited by Perkins Foss.Essays by John Picton, Perkins Foss, Michael Y. Nabofa, G.G. Darah, Tanure Ojaide, and Bruce Onobrakpeya. Foreword by Peter Ekeh. Hardcover, 9 x 12 in. / 152 pgs / 141 color and 7
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Image GURO
 
FISCHER Eberhard
GURO: Masks, Performances, and Master Carvers in Ivory Coast
 
Détails sur le produit: Relié: 520 pages - 244mm x 45mm x 303mm. - Editeur: Prestel (3 mars 2008) - Langue: Anglais - ISBN-10: 3791339419 - ISBN-13: 978-3791339412
 
Descrizione libro: The Guro people of Africa's Ivory Coast are renowned for their rich mask and sculpture traditions. These objects of joyful and sublime beauty are used in a variety of social and spiritual ceremonies. Art ethnologist Eberhard Fischer has spent decades researching the Guro traditions and documenting their way of life. In this book he presents a collection of hundreds of images, many of them published for the first time, of masks and woodcarvings, as well as lively scenes of Guro dances and artisans at work. Numerous interviews with prominent Guro, including religious officials, carvers, weavers, dancers, and cult masters, enhance the appreciation of this society. Eberhard's unique understanding of the Guro makes this volume a standard work on the art and culture of these
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Full text, digitalised by Lies Strijker and presented by the .Centre Aequatoria
Notes on the digitalisation and presentation


[Cover]

[1: empty]

[2]
IMPRIMI POTEST
Kanzenze, 12-2-1952
P. Simeon, o.m.f.
Sup. Reg.

IMPRIMATUR
Luabo-Kamina, 30-5-1952
+VICTOR PETRUS KEUPPENS
Vic. Ap. de Lulua


[3]

BANTU PHILOSOPHY
by
The Revd. Father PLACIDE TEMPELS

(Translated into English from "La Philosophie Bantoue" the French Version by Dr. A. Rubbens of Fr. Tempels' original work. The Revd. Colin King, M.A. Translator.)

With a Foreword to the English Edition by Dr Margaret Read, C.B.E.Ph. D.,M.A., formerly Professor of Education and Head of the Department Of Education in Tropical Areas, The

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WHAT IS AFRICAN ART? 

SUPPORT NOTES FOR TEACHER

Learning & Information Department 
Telephone +44 (0)20 7323 8511/8854 
Facsimile +44 (0)20 7323 8855 
education@thebritishmuseum.ac.uk 
Great Russell Street 
London WC1B 3DG 
Switchboard +44 (0)20 7323 8000 
www.thebritishmuseum.ac.uk 
Commemorative head of a Queen Mother
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THE NEW CONGO COLLECTION

During the summer of 1912 the Museum acquired by purchase a collection of about two thousand 
specimens consisting of weapons, utensils, ornaments, clothing and images from a number of African 
tribes living in the Congo basin.  This collection was, for the most part, obtained from the natives by the 
well-known German traveler, Frobenius.    

in a way which served at least to show what a variety of artistic activities and  what a rich  culture  the in 
a way which served at least to show what a variety of artistic activities and  what a rich  culture  the 
native Congo peoples possess.     
native Congo peoples possess.     


Visitors  had  an  opportunity   of   admiring the wonderful carved wooden boxes and cups,
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Etats-Unis
Disney fait don de sa collection d’art africain
Le Journal des Arts - n° 225 - 18 novembre 2005
 
L’important ensemble convoité par le président Jacques Chirac pour Paris va finalement rejoindre la Smithsonian Institution à Washington.
 
WASHINGTON - La Smithsonian Institution, à Washington, vient de recevoir une importante donation : la collection Walt Disney-Tishman d’art africain, un ensemble de 525 pièces estimé entre 20 et 50 millions de dollars (16,7 et 42 millions d’euros). Cet ensemble donné par la Walt Disney World Company va rejoindre le National Museum of African Art de la Smithsonian, qui prépare une exposition majeure de ces pièces pour février 2007.
Paul Tishman, promoteur immobilier new-yorkais aujourd’hui disparu, a commencé cette collection dans les années 1960 avec son épouse Ruth. Au début des années 1980, le Metropolitan Museum of Art à New York marqua son intérêt pour cet ensemble dont il présenta plus de 150 pièces lors d’une exposition spéciale. Mais, en 1987, les Tishman choisirent de vendre leur collection, pour 1 million de dollars, à la Walt Disney Company. La société avait assuré qu’elle l’exposerait dans son parc à thème éducatif d’Epcot Center en Floride, où elle serait vue par un large public. Bien que Disney ait multiplié les prêts aux musées depuis lors, l’Epcot Center n’a montré qu’une poignée d’œuvres, et une grande partie de la collection
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Tribal Art - Jean-Baptiste BacquaLire la suite... ]

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