Result of the research : 'sammlung'
SCHLUTER Volker(Autor), LEHUARD Raoul (Autor), SCHULZ Thomas (Illustrator)
Kleinplastiken aus dem Kongo: Sammlung Volker und Frauke Schlüter
Produktinformation:
Taschenbuch: 148 Seiten - Verlag: Schlüter, Frauke u. Volker; Auflage: 1., Aufl. (15. Januar 2010) - Sprache: Deutsch - ISBN-10: 3000291113
ISBN-13:
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FROBENIUS Leo
Il Decamerone Nero: Racconti africani raccolti da Leo Frobenius
Dettagli sul prodotto:
Rilegato: 400 pagine; Illustrazioni Colore e B&N - Editore : Rizzoli Editore, Milano (1971) Lingua : Italiana
Descrizione libro:
55 racconti da "Das Schwarze Dekameron (1910)" e dalla "Sammlung Atlantis (1921-28)" di Leo Frobenius, scelti a cura di Ulf Diederichs - Traduzione e cura dell'edizione italiana di Francesco Saba Sardi - Titolo originale dell'opera: "Das Schwarze Dekameron, Geschichten aus Afrika" (1969 - Eugen Diederichs Verlag Dusseldorf
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Aghte Johanna, MUSEUM FUR VOLKERKUNDE
LUBA HEMBA
WERKE UNBEKANNTER MEISTER SCULPTURES BY UNKNOWN MASTERS.
Détails sur le produit:
Edition: Museum fur volkerkunde Frankfurt - Frankfurt am Main, 1983 -
Hardcover. first edition. 162pp 22 x 22 cm, 114 b/w illus. of objects, 2 maps, biblio. Text: German & English. Series: Afrika-Sammlung 1.
Monograph on the Luba & Hemba peoples from
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Art primitif : prix du désir, prix de l’objet
AuteurRolande Bonnain-Dulon du même auteur
CRH/EHESS
24, bd de Magenta
75010 ParisRolande.Bonnain-Dulon@ehess.fr
« L’art primitif a influencé tout l’art contemporain.
C’est normal qu’il ait un prix. »(Jeune marchand parisien)
« Noirs désirs » [Télérama, 26/06/2003], « Bas les masques » [Libération, 1/07/2001], « La ruée vers l’or noir » [Le Figaro, 2/07/2001], « Les sortilèges de l’art africain » [Le Figaro, dossier Patrimoine, 26/10/2001], tous ces titres (et d’autres non moins accrocheurs) ont annoncé et suivi la dispersion aux enchères publiques en juillet 2001, soit un an après sa mort, de la collection d’art primitif d’Hubert Goldet, grand amateur et cofondateur de la revue ArtPress. La vente, qui avait duré deux jours et attiré amateurs, marchands et curieux d’Europe et d’Amérique, avait joui d’un énorme succès : 644 lots proposés et vendus pour la somme de 88,4 millions de francs avec les frais soit 13,5 millions d’euros. Cet événement témoigne, s’il en est encore besoin, que ce domaine de l’art, l’un des derniers découverts par l’Occident, n’est plus confidentiel et déborde le cadre du petit monde des initiés. Depuis son ouverture en avril 2000, le pavillon des
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Art contemporain africainL’Art contemporain africain est très dynamique. Il s'inspire aussi bien des traditions du continent que, et c'est de plus en plus le cas, des réalités urbaines contemporaines d'une Afrique en mutation, qui se cherche encore une identité. Les techniques et les supports sont variés, allant de la simple peinture aux installations avec projection vidéo, en passant par des sculptures faites en matériaux de récupération...En 1989, l'exposition « Les magiciens de la terre » (Centre Pompidou, 1989) présentait des œuvres d'art africain contemporain (d'artistes vivants) pour la première fois en Europe, mode de monstration mettant en valeur un certain primitiviste et exotique. En 2005, l’exposition « Africa Remix » qui a été présentée en Allemagne, en Angleterre, en France et au Japon peut être considérée comme la première à présenter un panorama important de l'art contemporain spécifiquement africain, montrant surtout la richesse de l'art africain sub-saharien. Mais l'Afrique elle-même s'est dotée de centres d'art contemporain, de festivals ou biennales sont régulièrement organisés sur le continent pour mettre en valeur le talent des artistes d'aujourd'hui. Quelques artistesAfrique du Sud
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Arman
Armand Pierre Arman
Birth name Armand Pierre Fernandez
Born November 17, 1928(1928-11-17)
Nice, France
Died October 22, 2005 (aged 76)
New York City
Nationality French
Field Sculpture, Painting, Printmaking
Movement Nouveau Réalisme
Influenced by Kurt Schwitters, Vincent van Gogh, Surrealism, Dada, Serge Poliakoff, Nicolas de Stael
Arman (November 17, 1928 – October 22, 2005) was a French-born American artist.Born Armand Pierre Fernandez in Nice, France, Arman is a painter who moved from using the objects as paintbrushes ("allures d'objet") to using them as the painting itself. He is best known for his "accumulations" and destruction/recomposition of objects.
Biography
Arman's father, Antonio Fernandez,
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Max Ernst
Born April 2, 1891(1891-04-02)
Brühl, Germany
Died April 1, 1976 (aged 84)
Paris, France
Nationality German
Max Ernst (2 April 1891 – 1 April 1976) was a German painter, sculptor, graphic artist, and poet. A prolific artist, Ernst is considered to be one of the primary pioneers of the Dada movement and Surrealism.
Early life
Ernst was born in Brühl, Germany, near Cologne. In 1909, he enrolled in the University at Bonn to study philosophy but soon abandoned the courses. He began painting that year, but never received any formal artistic training. During World War I he served in the German army, which was a momentous interruption in his career as an artist. He stated in his autobiography, "Max Ernst died the 1st of August, 1914."
[edit] Dada and Surrealism
Max Ernst, Ubu Imperator, (1923), Musee National d'Art Moderne, Centre Pompidou, Paris, France
After the war, filled with new
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Les collections d'art africain dans les musées du monde
L'Amérique
Bermudes
Hamilton
Bermuda National Gallery
City Hall, Church Street
lu-sa 10-16
Arts d'Afrique occidentale: Bamana, Bwa, Bete, Guro, Yaoure, Senufo, Ashanti, Yoruba, Ibo, Bamileke...
Brésil
Bahia
Museu Afro-Brasileiro. Universidade Federal da Bahia
Terreiro de Jesus
ma-sa 9-17
Arts et objets cultuels d'Afrique Noire: Yoruba...
Sao Paulo
Museu de Arqueologia e Etnologia. Universidade de Sao Paulo
Cidade Universitaria. Av. Prof Almeida Prado
ma-ve 9-17; sa 10-14
Ethnographie de l'Afrique noire. Exposition permanente "Culturas e Sociedades"
Canada
Calgary
Glenbow Museum
130 9th Avenue S.E.
ma-di 9-17
Arts d'Afrique occidentale: Baga, Senufo, Ashanti, Yoruba, Ibo, Yaunde, Bamileke... (non exposés en permanence)
Kingston (Ontario)
Agnes Etherington Art Centre. Queens University
Queens University Campus
ma-ve 10-17; sa-di 13-17
Arts d'Afrique occidentale: Bidyogo, Dogon, Bamana, Bankoni, Mossi, Dan, Senufo, Baule, Yaure, Anyi, Ashanti, Fanti...
Arts du Nigeria: Yoruba, Ibo, Urhobo, Koro, Mama, Kaka...
Arts du Gabon et du Congo: Fang, Kota, Bembe, Kongo, Yombe, Pende, Luba, Hemba, Lega, Songye, Tshokwe... (Coll. Lang)
Montréal
Musée des beaux-arts
1379-1380 rue
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Arman (November 17, 1928 – October 22, 2005), was a French-born Americanartist.Born Armand Pierre Fernandez in Nice, France, Arman is
a painter who moved from using the objects as paintbrushes ("allures
d'objet") to using them as the painting itself. He is best known for his
"accumulations" and destruction/recomposition of objects. BiographyArman's father, Antonio Fernandez, an antiques dealer in Nice, was also an
amateur artist and photographer, as well as a cellist. From his father, Arman
learned oil
painting and photography. After receiving his bachelor's degree in
philosophy and mathematics in 1946, Arman began studying at the Ecole Nationale
d'Art Decoratif in Nice. He also began learning Judo at a police Judo
School in Nice where he met the artists Yves Kleinand Claude Pascal. The trio would
bond closely on a subsequent hitchhiking tour of the nations of Europe. Completing
his studies in 1949, Arman enrolled as a student at the École
du Louvre in Paris,
where he concentrated on the study of archaeology and oriental art. In 1951,
Arman became a teacher at the Bushido Kai Judo School. During this time he also
served in the French military, completing his tour of duty as a medical orderly
during the Indo-Chinese War. Early careerEarly in the development of his career, it was apparent that Arman's concept
of the accumulation of vast quantities of the same objects was to remain a
significant component of his art. Ironically, Arman had
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