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 GALERIE ART PREMIER AFRICAIN GALERIE ART PRIMITIF AFRICAIN AFRICAN ART GALLERY

GALERIE ART PREMIER AFRICAIN GALERIE ART PRIMITIF AFRICAIN AFRICAN ART GALLERY

African Paris Gallery L'Oeil et la Main. Art premier primitif africain
Résultat de la recherche Résultat de la recherche : 'beauty'

Masque facial à cornes Kwele, Gabon
Masque facial à cornes Kwele, Gabon
150 000,00 €

 

The Authenticity of African Sculptures

by Henri Kamer

The issue of authenticity of African art has been central to collectors for decades.  Henri Kamer, who was president of the International Arts Experts Association at the time, published an outstanding account of the state of the matter in Artes d'Afrique Noire, No. 12 (1974).  The text  that follows is extracted from an English translation of that article, and has been edited further.  The original includes a number of illustrations.  They are not included here because I believe the text suffices without them. 

The original version, including the illustrations, in French and with the English translation, is 

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African Art on the Internet
 
 
 
15th Triennial Symposium on African Art, Arts Council of the African Studies Association, 2011, Wednesday, March 23 - Saturday, March 26, 2011, UCLA, Los Angeles, California
http://www.acasaonline.org/conf_next.htm
Addis Art - Ethiopian Art and Artists Page
Contemporary Ethiopian art and artists - paintings, sculptures and digital art work by students and professionals from Addis Ababa, Ethiopia. University instructor, Getahun Assefa's paintings, drawings, sculpture, digital art. Also work by his brother, Tesfaye Assefa. Based in Addis Ababa, Ethiopia. [KF] http://www.addisart.com/
Addis Art - Nouveau Art from Ethiopia
Artists include Shiferaw Girma and Lulseged Retta. Photographs of each artist's work, a biography, and video. Founded by Mesai Haileleul. [KF] http://www.addis-art.com/
Adire African Textiles - Duncan Clarke
History, background, and photographs of adire, adinkra, kente, bogolan, Yoruba aso-oke, akwete, ewe, kuba, and nupe textiles. The symbolism of images is often provided. One can purchase textiles as well. Clarke's Ph.D. dissertation (School of Oriental and African Studies) is on Yoruba men's weaving. See also the Adire African Textiles blog. Based in London. http://www.adireafricantextiles.com/
Afewerk Tekle
"Ethiopia’s leading artist." Biography, his paintings, sculptures, mosaics, murals, art in the artist's home. Afewerk created the stained-glass windows at the entrance of Africa Hall, headquarters of the United Nations Economic Commission for Africa. "In 1964, he became the first winner of the Haile Selassie I prize for Fine Arts." "In 2000, he was one of the few chosen World Laureates by the council of the ABI on the occasion of the 27th
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Image African Art in Transit
STEINER B. Christopher
 
African Art in Transit
 
Détails sur le produit:
Broché: 240 pages - Editeur: Cambridge University Press (27 janvier 1994) 
Langue: Anglais - ISBN-10: 0521457521 - ISBN-13: 978-0521457521
STEINER B. Christopher  -  African Art in Transit
Descriptions du produit
 
 
 
 
 
 
 
Descriptions du produit:
 
 
From Publishers Weekly:
In this specialized but illuminating work, Harvard-trained anthropologist Steiner analyzes the assumptions behind the work of native African art traders in Cote d'Ivoire, who serve as the link between African artists and Western collectors. He describes the trading process as not only a complex economic system but one of shifting cross-cultural exchange in which the image of Africa is continually redefined. Steiner classifies the range of sources and art objects available in the trading city of Abidjan, then describes how traders work. He analyzes different forms of bargaining (from careful negotiation with Western dealers to staged performance for tourists). More intriguingly, he argues that Western scholarship has influenced classification of art objects by ethnicity rather than by region, and observes how Africans seek authenticity in things Western, while visitors want symbols of a "primitive" lifestyle--as when he witnesses the barter of a mask for a Seiko watch. In the West, he notes, the practical value of African objects like baskets is ignored, while an obsession with the growing value of African art tends to negate appreciation of its beauty. Photos not seen by PW. 
Copyright 1993 Reed
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Image Kilengi: African Art from the Bareiss Family Collection
ROY D. Christopher
Kilengi: African Art from the Bareiss Family Collection
Détails sur le produit: Relié: 419 pages - Editeur: University of Washington Press (1 juin 1999) - Langue: Anglais - ISBN-10: 0295978228 - ISBN-13: 978-0295978222 
From Library Journal: Kilengi is a Bantu term meaning "joy arising through beauty," a telling insight into the importance of art in Africa. This catalog in coffee-table format was produced to accompany a traveling exhibition of Walter Bareiss's African art collection, previously in Iowa City and now in Purchase, NY. The collection, although only recently assembled, is intriguing because of its high quality and because it focuses on East and South Africa, regions often overlooked. Roy's introduction incisively criticizes scholars' and collectors' overemphasis of West African art. His essay describing the major categories of objects represented in the collection is not innovative in approach but will be useful for the general reader. This book's greatest strength lies in both George Meister's exquisite photography, which highlights the visual power of the collected objects, and in Roy's extensively researched catalog entries. Overall, this is a visually stunning, very reasonably priced publication; highly recommended for any library with an interest in African art.AEugene C. Burt, Art Inst. of Seattle Lib., WA Copyright 1999 Reed Business Information,
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Image Art and craft in Africa: Everyday life, ritual, court art
MEYER Laure
Art and craft in Africa: Everyday life, ritual, court art
Détails sur le produit:
Broché: 207 pages - Editeur: Terrail, first English edition, 1995. - Langue: Anglais 
ISBN-10: 2879390982 - ISBN-13: 978-2879390987
Descriptions du produit:
Most museum exhibitions and books on African art focus on masks and figurative sculptures, largely ignoring many types of objects common in African cultures that "demonstrate an aesthetic sensibility all the more remarkable for serving the humblest of purposes." In this volume, Meyer offers a splendidly illustrated survey of everyday, primarily utilitarian objects furnishings, culinary utensils, textiles, jewelry, weapons, musical instruments, games, pipes, regalia, that reveal undeniable beauty of design, ornamentation, or display. Less detailed and scholarly than Roy Sieber's catalog African Furniture and Household Objects (Indiana Univ. Pr., 1980), Meyer's work nevertheless offers concise introductions to scores of categories of objects that are both essential to, and revealing of, the nature of African life. Highly recommended for public library collections of African studies or art. Dr. Eugene C. Burt, Art Inst. of Seattle
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Image Makishi: Mask Characters of Zambia
JORDAN Manuel
Makishi: Mask Characters of Zambia
 
Détails sur le produit:
Broché: 84 pages - Editeur: Fowler Museum of Cultural History,U.S. (15 mars 2007) - Collection: Fowler in Focus - Langue: Anglais - ISBN-10: 0974872970 - ISBN-13: 978-0974872971
 
Descrizione libro:
The Fowler Museum at UCLA, 2007. Paperback. 190mm x 8mm x 267mm. Makishi: Mask Characters of Zambia. Manuel Jordn reveals the beauty and complexity of the remarkable masquerade traditions of the Chokwe, Mbunda, Lunda, Lwena/Luvale, and Luchazi, peoples who live in the Three Corners region of northwestern Zambia, northeastern Angola, and southwestern Democratic Republic of the
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Image GURO
 
FISCHER Eberhard
GURO: Masks, Performances, and Master Carvers in Ivory Coast
 
Détails sur le produit: Relié: 520 pages - 244mm x 45mm x 303mm. - Editeur: Prestel (3 mars 2008) - Langue: Anglais - ISBN-10: 3791339419 - ISBN-13: 978-3791339412
 
Descrizione libro: The Guro people of Africa's Ivory Coast are renowned for their rich mask and sculpture traditions. These objects of joyful and sublime beauty are used in a variety of social and spiritual ceremonies. Art ethnologist Eberhard Fischer has spent decades researching the Guro traditions and documenting their way of life. In this book he presents a collection of hundreds of images, many of them published for the first time, of masks and woodcarvings, as well as lively scenes of Guro dances and artisans at work. Numerous interviews with prominent Guro, including religious officials, carvers, weavers, dancers, and cult masters, enhance the appreciation of this society. Eberhard's unique understanding of the Guro makes this volume a standard work on the art and culture of these
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Image LEGA - Ethics and Beauty in the Heart of Africa
BIEBUYCK  P. Daniel
 
LEGA - Ethics and Beauty in the Heart of Africa
 
Détails sur le produit:
Relié - Editeur : Snoeck-Ducaji & Zoon (30 avril 2002) - Langue: Anglais 
ISBN-10: 9053493905 - ISBN-13: 978-9053493908
 
Descrizione libro:
Snoeck-Ducaju & zoon, 2002. Couverture rigide. 1ère Édition. Relié avec jaquette illustrée, 240 pages, très nombreuses illustrations dont 179 oeuvres reproduites en
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WHAT IS AFRICAN ART? 

SUPPORT NOTES FOR TEACHER

Learning & Information Department 
Telephone +44 (0)20 7323 8511/8854 
Facsimile +44 (0)20 7323 8855 
education@thebritishmuseum.ac.uk 
Great Russell Street 
London WC1B 3DG 
Switchboard +44 (0)20 7323 8000 
www.thebritishmuseum.ac.uk 
Commemorative head of a Queen Mother
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Etats-Unis
Disney fait don de sa collection d’art africain
Le Journal des Arts - n° 225 - 18 novembre 2005
 
L’important ensemble convoité par le président Jacques Chirac pour Paris va finalement rejoindre la Smithsonian Institution à Washington.
 
WASHINGTON - La Smithsonian Institution, à Washington, vient de recevoir une importante donation : la collection Walt Disney-Tishman d’art africain, un ensemble de 525 pièces estimé entre 20 et 50 millions de dollars (16,7 et 42 millions d’euros). Cet ensemble donné par la Walt Disney World Company va rejoindre le National Museum of African Art de la Smithsonian, qui prépare une exposition majeure de ces pièces pour février 2007.
Paul Tishman, promoteur immobilier new-yorkais aujourd’hui disparu, a commencé cette collection dans les années 1960 avec son épouse Ruth. Au début des années 1980, le Metropolitan Museum of Art à New York marqua son intérêt pour cet ensemble dont il présenta plus de 150 pièces lors d’une exposition spéciale. Mais, en 1987, les Tishman choisirent de vendre leur collection, pour 1 million de dollars, à la Walt Disney Company. La société avait assuré qu’elle l’exposerait dans son parc à thème éducatif d’Epcot Center en Floride, où elle serait vue par un large public. Bien que Disney ait multiplié les prêts aux musées depuis lors, l’Epcot Center n’a montré qu’une poignée d’œuvres, et une grande partie de la collection
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Tribal Art - Jean-Baptiste BacquaLire la suite... ]

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a
by Peter Walsh
 
"MEMORY: Luba Art and the Making of History," one of the largest and most important exhibitions of African art ever to appear in the Boston area, will be on view at the Davis Museum and Cultural Center from February 5 through June 7, 1998. Organized by The Museum for African Art in New York City, this critically acclaimed exhibition of exceptionally beautiful artworks explores for the first time in an American museum exhibition the intricate and fascinating culture of the Luba of the Democratic Republic of the Congo (formerly Zaire). More than 80 important and beautiful objects are included in the show.
 
Since it opened in New York City in February 1996, MEMORY has received enormous popular and critical praise. The New York Times described it as "everything an exhibition ought to be. Visually riveting and built on a theme as philosophically complex as it is poetic, it has the pace and pull of an unfolding epic... MEMORY... brings to vivid life an art that is both a wonder of formal invention... and a sovereign vehicle for profound ideas."
 
MEMORY will include standing figures, staffs of office, ceremonial weapons, masks, divining tools and amulets as well as fine examples of lukasas, or Luba "memory boards," all of which the Luba used as elaborate visual symbols to record their cultural memories, histories, traditions, and royal lineages. The show and its accompanying catalogue are the culmination of a decade of intense and path-breaking research and study
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"L'Art joue un rôle essentiel dans la vie des Africains et leurs communautés. Il sert beaucoup plus de but essentiel(vital) que simplement pour orner l'environnement humain, comme l'art est d'habitude employé dans les sociétés Occidentales contemporaines.
La beauté de l'art africain est simplement un élément de sa fonction, car ces objets ne seraient pas effectifs(efficaces) s'ils n'étaient pas esthétiquement la complaisance. Sa beauté et son contenu se combinent ainsi pour faire de l'art le véhicule qui assure la survie de la traditions, protège la communauté et l'individu et dit à beaucoup de personne ou les personnes qui l'utilisent. "
 
L'art Tribal grandit rapidement dans la popularité. Un auditoire(une audience) encore plus large a pu aimer(jouir de) ' l'Art Tribal ' des remerciements aux expositions majeures ces dernières années à Londres, Paris, Berlin, Munich et Düsseldorf. 
   Au début du 20ème siècle, cependant, l'Art Tribal réveillait déjà une grande excitation parmi des artistes et des collectionneurs d'art. À la fois comme l'art primitif était toujours considéré comme le produit innocent de peuples
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African Body Modification (aka Beauty)